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  • <em>African Notes Parts 1 & 2</em>
    Laiwan, African Notes Part 1 & 2 In Tended Garden, 1982/2020 (BG6250 installation view, Laiwan: Traces, Erasures, Resists, 2022). Photo: Rachel Topham Photography
  • <em>African Notes Parts 1 & 2</em>
  • <em>African Notes Parts 1 & 2</em>
  • <em>African Notes Parts 1 & 2</em>
  • <em>African Notes Parts 1 & 2</em>
  • <em>African Notes Parts 1 & 2</em>
  • <em>African Notes Parts 1 & 2</em>
Artwork

African Notes Parts 1 & 2

Artist/Creator
Laiwan (Artist)
Date
1982-83/2021
ID #
BG6250
Content Notice


 

Physical Description

Medium
35 mm slide, projection, audio
Support
Dimensions
Object Description
149 b/w Panatomic-X 35mm slides, 1⁄4 inch reel analogue audio tape transferred to digital

African Notes Parts 1 & 2 are composed of photographs that Laiwan took on a trip home to her birthplace of Zimbabwe in 1982, two years after the country's independence. Part 1: Feet of Clay visually explores the site of Great Zimbabwe, where archaeological ruins trace the royal palace of the Kingdom of Zimbabwe built by the ancestors of the Indigenous Shone people. Part 2: In Tended Garden is located at the nearby Kyle Dam, known today as Lake Mutirikwi. The two projections are accompanied by a poetic text that expresses encounters with dreaming, as it variably expresses one's desire for home, the illusions of colonialism and the waywardness of skygazing. African Notes introduces 35 mm slide dissolves into Laiwan's practice. The technology presents images and text in motion, which supports the artist's attention to the effects of migration and adaptation on consciousness. 

History

Collection
Morris and Helen Belkin Art Gallery Permanent Collection
Credit Line
Purchased with support from the Canada Council for the Arts and the Morris and Helen Belkin Foundation, 2021
Related Exhibitions
Laiwan: Traces, Erasures, Resists

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